Stelton’s international bestseller – Erik Magnussen’s classic vacuum jug – completes its 30th year. We celebrate this by presenting six fascinating jubilee jugs: Three soft black jugs, and three soft white ones with the little button in new (never seen before) colours: yellow, orange, and blue. The jugs will be available in shops from June […]
Nea studio, an Architectural Design firm based in Norway and New York, announces the launch of its new furniture line. Five pieces from the Arctic Line, designed by Nina Edwards Anker, will be exhibited for the first time in May 2007. In 2002, the New York architect, Nina Edwards Anker, lost—and then found—herself in the […]
Droid is FurnIDs proposal on how a sculptural and futuristic plastic chair that embraces the body with elegant curves should look. The chair is a result of a long and exciting design process with the word tactile as our main focus.
365° north is a new Danish lamp concept – a concept that has been turned both 90° and 180° to see the familiar from new and unexpected angles. This has now resulted in a unique and original lamp design which is about to be launched on the Danish and other European markets.
Front, the quartet behind the eye-catching disco-ball chandelier Konfetti, is once again being appreciated for their work. Design Miami/Basel, the most prominent and substantive forum for international design, has named Swedish design collective Front its 2007 Designer of the Future.
’Wait for me’ is a floor lamp that combines the horizontal and the vertical surface in a space. ‘Wait for me’ is a short story about a hard working lamp, who runs around town together with its other light buddies and lights up the dark corners where the sun can’t reach.
Wall lamp LE KLINT 215 is a shining example of LE KLINT’s ability to come up with new developments of its classic folding technique. LE KLINT 215 is designed by Poul Christiansen and is a natural extension of the world-renowned Sinus collection. LE KLINT 215 can be used alone or in harmonious combination with the […]
